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Related to the same icon, the free and fully featured version of Photoshop Lightroom removes much of the complexity from the photo editing process. Besides the basic photo editing tools, the program’s features include the ability to organize and edit images into collections, have users tag your best images, and create and share projects, galleries, and publications.

The program has always been open and free, and that continues today, but stuff like its Cloud Introspection feature, which lets you turn your photos into AI-based templates, should be seen as a plus.

Many of the advanced features in Photoshop have been ripped out, not into Adobe Elements but into Photoshop itself. I do not consider this a bad thing. Just because Photoshop has lost features does not mean they are not still a very fine piece of software. For example, the useful crop tool is still available in the latest version of Photoshop.

The feature set has changed in recent years, with focus on Elements, and that’s as it should be. Taking care of a family is my job, and Adobe’s dual-focus on its home and mobile market makes Photoshop ideal for me (and perhaps for you as well). Perfect for the no-longer-tiny beginnings of someone’s career, Photoshop Elements is a free download and the perfect beginner’s shortcut.

As you can see from the reviews, Lightroom 5 is still a polarizing product. But, let’s look at what’s new and changed in this version, and whether Lightroom 5 is something that may have you eyeing up an upgrade and considering it for your own needs. Also, you never know – it may just be the next move by Adobe – to bring the power of Lightroom to the Mac platform by way of creating a competing alternative to Apple Aperture.



The Gradient tool lets you apply a gradient to your layers. Now that you have a gradient, you can create different elements like a picture, object, logo, photo, shape, and other graphic design elements in just minutes. It’s easy to tweak the gradient if you need to see any changes. This tool also lets you change the colors and break it into smaller gradient pieces.

With the Gradient tool, you can apply various options such as shape, blend, orientation, and orientation to the gradient. You can also add shadow, blending, background, and type effects on top of them.

Once you’ve got your gradient, you can change its colors and add shadow effects to make it more specific to your need. You can also add or subtract elements of gradients to give them depth. With any editing, you can see how the gradient interacts with an image or text. For example, you can see the gradient’s difference and edit the gradient to achieve the desired outcome. It’s very easy to edit the gradient and make changes like adding a layer, changing the color, changing the gradient, and even adjusting the angle.

After you have a gradient of your choice, you can create a design that you’d like to remove. You can do this by selecting the layer with the gradient on it and pressing Command-E or by selecting Make Mask and clicking OK. You can then use the Gradient tool to select a color that’s not in the layer. The color must also be visible on the layer’s hues bar. The first color is the top color, and the second color is the bottom color. After you click the color, it will be added to the hues bar. You can then click Apply to remove the color on the layer.

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Photoshop content is shot into a.photoshop file. When relaunching the application, the.psd file is opened by default, thus opening the photo-editing work in progress. The.psd file name can be changed via the Tool Options menu: go to File Name and specify a new name, along with a new extension that can be chosen from the dropdown menu.

Here you can add new layer that helps in adding and re-arranging of the various elements in the image. It lies in the middle of the Photoshop window and can be moved by clicking on the layer thumbnail. Any specific layer can be selected for editing (using various tools) by clicking the layer thumbnail. You can add a new layer by clicking the New Layer icon. Also, there are different Layers preview states to select, such as Bevel & Emboss & Emboss Glow.

This contains a Wacom tablet preset which lets the artist to access and save a specific preset which can be used as a starting template or to assign a brush or tool profile. It contains 20 preset brushes, 30 preset profiles, and various settings of adjustment, perspective, layers, and others.

This is a tutorial within Photoshop. The manual clicks on this will take you through the complete steps to create a particular effect. Here, the artist can jump start and learn the creative workflow. The Auto-Save feature can be turned on or off using the | Auto Save button. The value of Auto Save is to help the user in saving the project as soon as an image is edited, without opening the “Save” dialog box.


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Adobe Photoshop CS6: Mastering the Liquify Tool describes the Liquify tools, provides a comprehensive tutorial, and reveals the many ways to bend an image towards your vision. The book includes a section on how to use the tools to create surreal images, textures, and typographic fonts, a section on how to use the tools for exposing flaws in your photographs, and a section on how to use the tools to manipulate and retouch images.

Adobe Photoshop is a true image editing software that needed to be rebuilt from the ground up, which is why it’s no longer called Photoshop, and is now known simply as Photoshop. With more than 300 million active users worldwide, it’s a global hit—and for good reason. Version 20 takes the same tools you know and love from previous versions and gives them a completely reinvigorated look and feel.

While users can still edit images using the layers found in earlier versions, they can also import images to be edited in a new and powerful way. The way images are imported will also continue to change over time. With image editing in 2019, users have an entirely new and powerful tool to edit images. To see a full list of changes in Version 20, read on.

With the addition of Lightroom and Capture 1, photographers can now edit images in a more integrated way. Photographers can edit RAW and JPEG files in a more streamlined, intuitive, and faster approach as well. Both Photographers and designers are benefiting from these changes.

Lightroom, introduced with Photoshop (CS6), is now easier to use and more powerful. Lightroom is also more fully integrated with Photoshop. Lightroom is available in two new editions: Lightroom Classic and Lightroom for iOS. In addition, Photoshop has been rewritten as a CC application, and the new Lightroom Companion is used inside Photoshop.


This video tutorial by Lili Cheng introduces you to the new 3D workspace in Creative Cloud, and explains how to apply effects to add depth, and make the scene simulated. You’ll learn how to retopologize and carve up objects in Photoshop, and explore and beautify your scene using a variety of brushes and filters.

Elements combines powerful new editing and organizing tools with a simplified interface that’s designed for everyone to use. And other tools for learning new techniques like PaintShop Pro, Affinity Photo and on-the-fly adjustments, help you get good results without learning complex skills.

Like professional versions, Elements includes the latest creative options from Adobe that make Photoshop faster and more responsive, with features that optimize the user experience, like intelligent layers, image organization, and personalized panels that enable you to make last-minute changes to photos and videos. Elements also includes a full set of controls and editing options to use compositing tools, automate processes, and create special effects.

Adobe Photoshop Lightroom is a digital asset management solution that’s designed to help photographers curate, edit and share their best work. It’s a unique way to organize, edit and share creative work thanks to its flexible dynamic workspace that supports a diverse range of workflows, tools and editing scenarios. It allows you to enhance RAW and JPEG images and adjust multiple images in a single project and all from a single window. Also, using Adobe Preview technology, Lightroom automatically detects the best quality settings for the file and displays it large enough to see and make manual adjustments when the need arises. For more information, check out www.adobe.com/creativesuite.


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Using the Pen Tool, you can draw, create and edit shapes, paths, and vector graphics. Using the Pen tool sometimes can be risky, as the strokes you make can interact with the underlying limit layer. The Pen tool lets you draw paths, shapes, and polylines, and it can be used for drawing and deleting, which are the most common operations. In addition to the drawing tools found in Photoshop, you can also use the eraser tool to erase areas of your image. Performance is optimized and the style can be saved in the new PSD file. If you want to make sure you can delete lines and shapes without altering the layer below it, you can enable the Free Transform tool.

The 3D feature in Photoshop CS6 no longer supports the input of textured surfaces. The 3D feature in Photoshop CS6 still supports the output of textured surfaces and can re-construct flat surfaces out of textured surfaces. For more information on the discontinuing of textured surfaces, see this release note: No Textured Surfaces in Photoshop CS6

The 3D feature in Photoshop CS6 no longer supports the morph from one type of 3D to another type of 3D. This feature was designed to morph between 3D models in the legacy 3D feature and potentially future 3D models in the Substance 3D collection. For more information on the discontinuing of morph between 3D types, see this release note: Textured Surfaces not supported in Extract 3D or Morph 3D

Photoshop CS6 provides several new print settings panels for more control when printing. New options include:
[Print] [Advanced] – Printing Menu Execution Order Setting
[Print] Paper Size – [Advanced] – Duplex, two-sided, smaller margins, larger margins, landscape, portrait, number/thumbnail width option, resolution, crop, fit to page, and paper source.


Easier editing in a browser allows you to pick up Photoshop with no downloads or installations, so you can get as sketchy and fast as you like. In the coming months, the web page version of Photoshop will include touch-enabled editing tools that help you navigate and create like never before.

Additionally, the Photoshops desktop application gains new features, including an easier-to-use way to select and edit images, the ability to remove and replace objects in a single action and the ability to apply a single global adjustment to live images instantly. No separate adjustment layers or masks are needed.

“Photographers expect to be able to instantly see the impact of any adjustment, and for that to embrace an increasingly connected world, we need to push the envelope of both image editing and how we work with images on any surface,” said Kute Addo, senior vice president, Adobe Creative Cloud. “Adobe’s second annual Photoshop User Conference opens this week with a focus on how we work with and share creative work across any surface, the key to embracing and creating on a connected world. At Photoshop we are rediscovering the power of Photoshop and reimagining how we use it to help creative professionals of all stripes and abilities remain in the moment and make the most of the world around them.”

Photoshop now supports workflows for teams from both Apple and Google, providing seamless access of large editorial-ready images from both ecosystems. Adobe’s designers and product managers see the world through the lens of their own creative work and push Photoshop to present new possibilities in addition to the traditional creative tasks photography and illustration professionals use. Adobe Creative Source Photoshop features such as the ability to work with image overlays in Photoshop and other native file formats, can help boost the workflow when editing large files.


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Automation automation. The new Photoshop has built-in scripts that leverage the performance features of the new underlying technology. You can create or edit scripts using the Script Editor. More details can be found at https://helpx.adobe.com/photoshop/using/using-script-editor.html.

Selective Retouch effects.

  • Undo retouching. Now you can use the Selective Retouch tool to undo only those parts you want to retouch.
  • Negative retouch. With new technology, you can erase an object or entire scene with the Selective Erase tool, and redraw in any color so that you can use the tool again for more retouching.
  • Retouching. The Selective Retouch tool allows you to retouch one side of an image and keep the other side unchanged.
  • Color Separation. Now you can use the Color Separation feature to make two images, a background and a foreground, look like one multi-layered image.
  • Gradient retouch. One of the most powerful and popular tools today, gradient tools allow you to retouch in any of the available colors. You can create gradient skin tones using a single gradient.
  • Remove Color: The notion of color is no more. Instead, you can remove objects from an image using the Remove Color or Remove Color Fill tools.
  • Remove Contrast. Now you can quickly remove contrast in an image using the Remove Color, Adjust color, or Remove Spot Removal tools.
  • Remove color noise. Remove noise can be difficult, but you can easily remove it from top to bottom with the Remove Color Noise tool.
  • Adjust color noise. This tool helps to quickly isolate object noise for further corrections.
  • Remove Screen Noise. Now you can quickly remove screen noise, such as hairs, using the tool menu.


At the heart of the Photoshop editing experience is a powerful, customizable toolkit. A palette of over 2 million creative color choices(Opens in a new window), adjustment layers that let you fine-tune your edits without affecting others, and precise paths for clean, easy selection and vector drawing make working in Photoshop fast and fluid. Use your keyboard shortcuts to be more efficient and fast. For instance, if you press Command+A(Opens in a new window) to select the Color Range tool, you’ll notice the keyboard shortcut memory is broken—you’ll now need to pick up the stylus and move the pointer to select your photo. Precision tools like Photoshop’s Magic Wand, Selective Color, Liquify, and Content-Aware Move are just a few of the tools available to you, so you can create the photo adjustments you desire quickly and easily. For even more tools, including the new Content-Aware Fill and Motion Blur, as well as a host of new features, visit the Photoshop Resources & Tools page at Adobe’s website .

Adobe Photoshop offers an integrated DNG converter that lets you directly save images as a digital standard, for both RAW and JPEG files. With this feature, you can work without requiring a previous version of your work when choosing to save your work.

The most significant feature in Photoshop is its update of the cloud supporting features it brought in the 2017 update. Now, a new cloud option lets users choose the folder they want to save their images. They can save multiple images at once to multiple folders, and the cloud version of the application supports, based on a license key, only certain number of concurrent users.


This software can edit and create images for web, print, and e-mail. When you open Photoshop on the website you will see an image editor to edit photos, but you will be limited to a few features such as a small set of retouching tools, image adjustments, and the ability to crop photos. If you want to work on more than just 1 or 2 images, Photoshop has a desktop version.

Under “Edit” > > > “Checks” > “Blend If,” there’s a new automatic uncheck, which turns on automatic blend if in check. You can also enter a blend tolerance to control the blended amount. Also a new “Invert Pasts” lets users when working with layers to invert the pasting performed using the “Duplicate” tool (which was previously located in this menu).

Under “Edit” > > > > “Color Correction,” there’s a new button in the pop-up menu that’s visible when working with Layers, for selecting the entire layer channel at once. For example, if you’ve applied an adjustment to a particular channel, like curves to the Red channel, you can now select all channels (which would include the curve adjustment) instead of having to individually select each channel to apply the same adjustment to.

Under “File >” > > “Print,” there’s a new historical button in the pop-up menu that’s visible when Print previews are open to select the current Printer/Rendition drop-down menu. This functionality allows you to choose the printers and renditions that you’ve recently used for a Print job when you click on the Print button.